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Alençon |
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The most often seen lace on bridal apparel. A net lace with swags and
flowers which are re-embroidered on their edges with a very thin cord.
It is available with or without sequins or beads. The edges are often
left with small threads sticking out. |
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Battenburg |
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Lace made by forming loops of linen and connecting them with threads.
Patterns may be floral or geometric circles and ovals. It is also used
on tablecloths, linens, towels, and doilies. It is usually only
available in white or ivory. |
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Bengaline |
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This fabric has a ribbed look. It may be woven from silk, cotton,
polyester or rayon. Also called Faille. |
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Bias Cut |
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If you look closely at most fabrics, you can see they are woven on a
grid pattern (the warp and weft). Fabric is usually cut straight across
these vertical or horizontal lines. A cut is made on the bias when it is
made at a diagonal to the warp and weft. Typically, fabric cut on the
bias moves and drapes very well. |
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Brocade or Damask or Jacquard |
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Brocade
A heavy fabric woven to achieve a tone on tone pattern.
Often the pattern is a floral or ribbon design. A lighter weight
alternative to brocade is damask. This is sometimes referred to as
Jacquard.
Damask
A fabric woven to achieve a tone on tone effect. Patterns are often
floral. It is lighter weight than brocade. Sometimes referred to as
Jacquard.
Jacquard
A loom which makes it possible to control each warp thread so that
each and every warp end can be raised or lowered at will to form an
intricate design. Originally controlled by a punched card system
sometimes called the first computer, today the loom is fed by
computer generated information that eliminates the cards, making
design changes faster and more efficient. Sometimes referred to as
Brocade or Damask
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Caviar Beading |
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A method of adding small beads to fabric. Remember when you were little
and would make a design in glue then sprinkle glitter on it? That's
pretty similar. |
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Chantilly Lace |
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Lace made of fine net with embroidery of flowers, ribbons, scallops
often edged in a very thin cord. |
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Charmeuse |
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Essentially lightweight satin. It is often a blend of silk or rayon. It
is very soft against your skin. |
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Chiffon |
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A sheer fabric, chiffon is very light weight and fluid. It is often used
in a color layered over a heavier fabric. It also used as a background
for embroidery, appliqué or beading. |
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Crepe |
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Very thin, light weight fabric with a slightly uneven surface. The
surface is a little like the surface of an orange only finer. Crepe is
typically made in silk or polyester. |
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Crepe de Chine |
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French for "Crepe from China." Unlike standard crepe, this is made of
silk and tiny bumps or irregularities. |
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Crushed Velvet |
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A velvet which actual looks like the nap has been crushed in varying
degrees. It gives a shimmering effect which can be quite elegant and
modern. |
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Dart |
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A dart creates a curve in the fabric and allows the fabric to conform to
the shape of the body. The darts in a garment are what make the garment
fit. The adjustment of darts for varied shapes is crucial to proper
garment construction. The most common places for darts are in the bust
and buttock areas. |
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Dotted Swiss |
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A lace created on a chiffon or fine net with very small circles (dots)
of flocking. It is typically layered over another, heavier fabric or may
be used in veils. |
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Duchesse Satin or Silk Faced Satin |
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Also known as Silk Faced Satin. This satin has a soft luster. It may be
100% silk or a polyester blend. |
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Dupioni |
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Typically 100% silk, this fabric is woven will fibers of varying
thickness. It has a slubbed or rough finish with a slight sheen. It does
have a tendency to wrinkle. Technically, it is a silk yarn reeled from
double cocoons or two adjacent cocoons in which silk is intertwined.
Shantung is a similar, lighter weight fabric. |
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English Net |
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A fine soft netting with one or two way stretch commonly used in
bodices, sleeves and train insets. Should not be confused with tulle. |
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Eyelet |
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Either a fabric or lace of light weight cotton with holes "poked" in it.
The holes are finished at the edges with thread. Other small floral
patterns may be embroidered in the same thread across the fabric. |
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Faille |
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This fabric has a ribbed look. It may be woven from silk, cotton,
polyester or rayon. Also called Bengaline. |
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Gazar |
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Similar to organza, gazar is a sheer, stiff fabric. |
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Georgette |
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Similar to Crepe, but without the sheen. |
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Guipure |
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A lace with large repeating designs, usually circular, with geometric or
floral centers, connected by threads. Essentially, a very heavy
Venise lace. |
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Illusion or Net |
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1.)A semi-sheer net-type fabric, Illusion is often used for skirts and
in some veils. It may also be called Net or Tulle. 2.) Any
style neckline which is covered with chiffon or netting. |
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Lyon Lace |
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Similar to Alençon, but lighter weight with a thinner cord,
giving a more delicate appearance. |
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Matelassé |
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A pattern is woven into the fabric, giving it something of a quilted
appearance. |
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Moiré or Taffeta |
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Moiré
A taffeta fabric with a watermark (wood grain) pattern
woven into it.
Taffeta
A stiff, medium weight fabric usually made of polyester or a blend.
It is widely used in bridal gowns, bridesmaid dresses and prom
gowns. It is easily recognized by the crisp, swishing sound it makes
as you move. It has a medium sheen. See also, Moiré.
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Organdy |
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A semi-sheer, stiff fabric made of cotton. |
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Organza |
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Very similar to chiffon, but heavier. |
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Peau de Soie |
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French for "skin of silk." As the name suggests, this is a silk fabric.
It is actually a heavy, dull satin with a slightly ribbed texture. |
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Rayon |
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When silk was in short supply during W.W.II, the military developed
rayon as a substitute for parachutes! Typically it is blended with other
fibers, such as polyester. |
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Ribbon Lace or Soutache |
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A lace formed by sewing ribbon in a pattern over a fine net background.
Also called Soutache. |
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Satin |
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The most popular fabric weave for wedding gowns. It is typically woven
from polyester or silk. It is noted for having a very dull side and a
shiny side. There are also matte satins available. |
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Schiffli |
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Very light weight lace on a net background with an all over embroidered
design, which may be floral, geometric or random. All over, intricate,
intertwining, decorative pattern embroidered onto the surface of English
net or tulle giving a light, airy appearance, usually with a border. |
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Seam Allowance |
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The area of fabric that is between the seam stitching and the cut edge.
This would be relevant to the maximum amount a seam can be let out |
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Shantung |
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A fabric woven usually of silk, shantung has a nubby, flawed looking
texture, very similar to Dupioni, although it is a much lighter
fabric. It is also available in polyester. |
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Silk |
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The most popular fabric for wedding gowns. It has a beautiful hand
(feel), is soft and has a beautiful luster. It is produced by silkworms,
primarily in China. Weave types for silk include Dupioni,
Duchesse, Peau de Soie. |
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Tulle |
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A semi-sheer net-type fabric, Tulle is often used for skirts and in some
veils. It may also be called Net or Illusion. A fine netting of tiny
hexagonal mesh. Commonly used for wedding veils and skirts of gowns.
Should not be used in bodices and fitted sleeves as it tears easily and
will not give with the body. Use instead English netting. |
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Twill |
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Similar to Faille. It is a fabric with diagonal woven pattern. |
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Velvet |
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A widely used fabric in apparel and homes. It has a short cut pile to
it. Velvet has a thick, soft nap, hence the term "feels like velvet." It
is available in silk and other fibers. See also, Crushed Velvet |
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Venise or Venice Lace |
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A lace with varying thickness of thread to create floral, geometric and
floral designs. An embroidery-style heavy lace not attached to net or
any other background. Each motif is attached to the next by thread. May
be cut into motifs/appliqués or used all over. May be cotton or rayon
(rayon gives a shiny appearance). |